This is one of Ravikiran’s teenage compositions but with a colourful structure which includes sahityams (lyrics) in the second Charanam to the Chittaswaram with an engaging mathematical finish seen in the first one. The name of the raga as also its entire scale and sequence (Arohanam and Avarohanam) have been woven into this section.
umA gowri shuka pAni
ramA sarasvati vanditE
kumAra siddhi vinAyakAdi
janani madhurApura vAsini mandahAsini manju bhAShiNi
pApa rahita maNOnmaNi pAhimAm khaladhvamsini
gOpa nandana sOdari paramEshvari shiva shankari
kOpa tApa nAshini shoolini kAmitArtha dAyini mOhini
sAmagAna vinOdini sarva kAriNi nArAyaNi
shyAmalE girirAja kumAra dharmasamvardhini
mahiShAsura bhanjani vara ravi shashi kuNDala lOlOllAsini
sArasa padAbja yugavara S R G M P D P S N D P M G R
poorvikalyANi rAga nuta sarOja mukhi shareera sukhi