(On Krishna, suitable for both music and dance concerts; the Charanam has an interesting usage of the syllable ‘ma’ used 4 times in succession when repeated.)
O mAdhavA en pOnRa kAma mOhiniyum En unakku
bhoomA dEviyuDan sattiya bhAmai rukmiNiyum gOpiyarum
poomAlaiyuDan unnai nADiyE un manam kuLira sEvai purindiDa
pA mAlai pADi meerA anbu sheluttiDa gOdaiyuDan mihai irukka
mA mAmanai vel shyAmA (mA mAmanai)
malla chANuraruDan (mA mAmanai)
shakaTanOdu pala teeyavaraiyum vikaTamAi vijayam sheidavanE (mA mAmanai)
smarakata maNi aNiyum madi azhahA malar nigar enai aDaiya pashi azhahA
parama rasikanE parama sukhanE pramukhAnE sakharnEshanE (mA mAmanai)
ravi shashi oLi mihu nayananE rati varanai vel
surAsa vilAsa sudAsarhaL pAsha vinAshanE
ennuDanE antarangam pEshiyE ennai mayakka iyalAdE
munivarhaL tozhum padA gireeshan ajanuDan pAril yAvarum puhazha (mA mAmanai)