Compositions of

Chitravina N Ravikiran
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O madhava

Kambhodhi

Pada Varṇam

Ādi (2 kalai)

(On Krishna, suitable for both music and dance concerts; the Charanam has an interesting usage of the syllable ‘ma’ used 4 times in succession when repeated.)

P

O mAdhavA en pOnRa kAma mOhiniyum En unakku

AP

bhoomA dEviyuDan sattiya bhAmai rukmiNiyum gOpiyarum

Muktai Swara Sahityam

poomAlaiyuDan unnai nADiyE un manam kuLira sEvai purindiDa 

pA mAlai pADi meerA anbu sheluttiDa gOdaiyuDan mihai irukka

C

mA mAmanai vel shyAmA (mA mAmanai)

1

malla chANuraruDan (mA mAmanai)

2

shakaTanOdu pala teeyavaraiyum vikaTamAi vijayam sheidavanE (mA mAmanai)

3

smarakata maNi aNiyum madi azhahA malar nigar enai aDaiya pashi azhahA 

parama rasikanE parama sukhanE pramukhAnE sakharnEshanE  (mA mAmanai)

4

ravi shashi oLi mihu nayananE rati varanai vel

surAsa vilAsa sudAsarhaL pAsha vinAshanE 

ennuDanE antarangam pEshiyE ennai mayakka iyalAdE 

munivarhaL tozhum padA gireeshan ajanuDan pAril yAvarum puhazha (mA mAmanai)