This is a unique piece wholly in Adi tala, Khanda Gati. Though it is flowing mostly on the beat, it calls for virtuosity to handle the fast medium tempo and to also indulge in improvisations like Kalpana Swaras.
lOkAvana patE maNikaNTha moortE
sharaNam sharaNam sharaNam mAm pAhi
pAkAri varuNAgni vandya charaNa
rakEndu vadana nindita madana (lOkAvana patE)
shree kAnta gangAdhara prEma tanaya
sAdhu jana hrdaya sadana sadaya a-
nEkAshrita jana shOkArti haraNa
nipuNa ravi shashi vinuta bhava taraNa – tri (lOkAvana patE)