{"id":2716,"date":"2023-02-11T13:55:10","date_gmt":"2023-02-11T13:55:10","guid":{"rendered":"http:\/\/ravikiranmusic.com\/legend\/crm\/?page_id=2716"},"modified":"2023-05-08T11:32:56","modified_gmt":"2023-05-08T11:32:56","slug":"vinayaka-vaibhavam","status":"publish","type":"page","link":"https:\/\/ravikiranmusic.com\/compositions\/dance-operas\/vinayaka-vaibhavam\/","title":{"rendered":"Vinayaka Vaibhavam"},"content":{"rendered":"\t\t
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Vinayaka Vaibhavam<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ravikiran is probably the most prolific composer of traditional style Operatic Dance Productions as well as contemporary dance creations. The former includes Lakshmi Prabhavam, Savitri, Vinayaka Vaibhavam, Almighty Trinity, Ramayanam Bala Khandam, Ramayanam Yuddha Khandam, Mahabharata - Karna Shapatam, Mahabharata - Yuddha Parvams and Geetopadesham wherein he composed the entire music and lyrics. His contemporary or multi-cultural creations include Cosmos, Translation, Pushed to the Edge and Illusion to Resolution. Besides, he has also scored the music for short dance productions such as Panchakriya and Panchali Shapatam. His productions have been performed by legendary and leading dancers across India, USA, Canada, Australia and other countries. <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Index of Compositions<\/span><\/span><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tIntroduction<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

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01 – Tandavam adinar – Ragamalika – Adi<\/a><\/div><\/div><\/div>\n
02 – Sarva shakti – Poorvikalyani (Viruttam)<\/a><\/div><\/div><\/div>\n
03 – Aran illam vandare – Charukeshi – Roopakam<\/a><\/div><\/div><\/div>\n
04 – \u00a0He balakane & Avasaram – Athana & Navarasakannada – Khanda Ata & Adi<\/a><\/div><\/div><\/div>\n
05 – Tapamum kopamum – Revati – Adi (Khanda Gati)<\/a><\/div><\/div><\/div>\n
06 – Mahadeva & Bhoota ganangale – Hameerkalyani & Vijayanagari – Viruttams<\/a><\/div><\/div><\/div>\n
07 – Nandi mudal shiva – Gambheeranattai – Adi<\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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01 – Gnyana pazham perave – Darbar – Adi<\/a><\/div><\/div><\/div>\n
02 – Mudivai edutta & Kailasanathan – Urmika & Kambhodhi – Viruttam<\/a><\/div><\/div><\/div>\n
03 – Nalama narada – Jaganmohini – Adi<\/a><\/div><\/div><\/div>\n
04 – Kalaham ennavenru – Kannada – Mishra Chapu<\/a><\/div><\/div><\/div>\n
05 – Idaiketta & Matangamukhan – Huseni & Asaveri – Viruttam<\/a><\/div><\/div><\/div>\n
06 – Mata pitave – Kadanakutoohalam – Adi<\/a><\/div><\/div><\/div>\n
07 – Maha tattvamadai – Shanmukhapriya – Viruttam<\/a><\/div><\/div><\/div>\n
08 – Puyalena ulahinai – Pashupatipriya – Adi Khanda Gati<\/a><\/div><\/div><\/div>\n
09 – Shankari shokamudan – Valachi – Viruttam<\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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01 – Venren nan venren – Devamanohari – Mishra Chapu<\/a><\/div><\/div><\/div>\n
02 – Enna sheiven – Gangeyasbhooshani – Viruttam<\/a><\/div><\/div><\/div>\n
03 – Nadukkam, Adakkam & Kaliyidame – Various Ragas<\/a><\/div><\/div><\/div>\n
04 – Pizhai poruttarulvaye – Nayaki – Adi<\/a><\/div><\/div><\/div>\n
05 – Malai mahalum – Pantuvarali – Adi<\/a><\/div><\/div><\/div>\n
06 – Ellam valla vallabha vallabhane – Desh – Viruttam<\/a><\/div><\/div><\/div>\n
07 – Tavarai sheidu – Chindu Folk – Adi Tishra Gati<\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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Vinayaka Vaibhavam Ravikiran is probably the most prolific composer of traditional style Operatic Dance Productions as well as contemporary dance creations. The former includes Lakshmi Prabhavam, Savitri, Vinayaka Vaibhavam, Almighty Trinity, Ramayanam Bala Khandam, Ramayanam Yuddha Khandam, Mahabharata – Karna Shapatam, Mahabharata – Yuddha Parvams and Geetopadesham wherein he composed the entire music and lyrics. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":720,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"pgc_sgb_lightbox_settings":"","footnotes":""},"class_list":["post-2716","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ravikiranmusic.com\/compositions\/wp-json\/wp\/v2\/pages\/2716","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ravikiranmusic.com\/compositions\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ravikiranmusic.com\/compositions\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ravikiranmusic.com\/compositions\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ravikiranmusic.com\/compositions\/wp-json\/wp\/v2\/comments?post=2716"}],"version-history":[{"count":34,"href":"https:\/\/ravikiranmusic.com\/compositions\/wp-json\/wp\/v2\/pages\/2716\/revisions"}],"predecessor-version":[{"id":10795,"href":"https:\/\/ravikiranmusic.com\/compositions\/wp-json\/wp\/v2\/pages\/2716\/revisions\/10795"}],"up":[{"embeddable":true,"href":"https:\/\/ravikiranmusic.com\/compositions\/wp-json\/wp\/v2\/pages\/720"}],"wp:attachment":[{"href":"https:\/\/ravikiranmusic.com\/compositions\/wp-json\/wp\/v2\/media?parent=2716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}